Tuesday, April 29, 2008

Joshua + Diagram = A Pretty Good Wednesday

Tomorrow is Wednesday. Tomorrow you can be showered with poetry. Here's how: A new DIAGRAM will be available for you to web surf. I have no idea who will be in it, but Ander does an awesome with that journal and don't see why he would change now.
Perhaps momentarily better in the short term is a reading taking place tomorrow night, 7pm, at The Book Cellar. Richard Fox, Richard Meier and Joshua Marie Wilkinson, amongst others.
Details:
The Book Cellar
4736-8 N. Lincoln
Chicago, IL 60625

I hope you enjoy your Wednesday, I know I will...

Monday, April 28, 2008

Donald Hall, "White Apples & the Taste of Stone"


Postcard Review #1

My favorite thing about this card, besides it being the first one, besides the awesome thumb drawings, is that it merges the works of Donald Hall and the Harlequin series (look for the copyright).

I started Dan Beachy-Quick's, "Spell" today. I think I will read it more, but while in the tub. It's a very wet book. Wet and whaley. 10 pages in, and I like how he's working with syntax and linebreaks.

Speaking of linebreaks, linebreak has a pretty good Bob Hicok poem up, at least for today. Read it at linebreak.org

I will write more on "Spell" later, but for now, send me a postcard and make me happy...

Friday, April 25, 2008

Chicken Parts (2)

I'm really into chickens right now. I want to buy one, feed it pizza rolls and small pebbles. I want to convince him/her that he/she is a super hero and even harder, I want to convince him/her that he/she's secret identity is a research scientist specializing in genetics. Chicken, I'd say, you have a PhD in Gene Mapping. You enjoy the connect-the-dot quality of the process. Ironically, you hate wearing jeans, even when they are your favorite color, which is salmon. When trouble arises you take to the skies in a flurry of feathers and zoom to your destiny.

For every gene he cracks I will feed him one pizza roll. For every inch he gets off the ground I will feed him one pizza roll. When he gets tired of pizza rolls I will feed him pebbles like aspirin, perhaps say something ridiculous like, take two of these and call in the morning.

It might take years, but eventually my chicken will call himself Adam. Every morning he will put on a lab jacket and stand over the sink scratching his chin. Occasionally, he will thrust a wing into the air and bock, A-Ha! Then, when I scream for help he will leap into action and change himself into the superhero known to you and I as, Genetic Chicken.

I imagine him looking like this:

Wednesday, April 23, 2008

What a Crazy Day!

On my walk home from work today I saw the coolest thing in the park. No, it wasn't another homeless man pooping in the bushes, it was a bumblebee/ rocket fish fight! I knew you'd never believe me so I took this picture...

From the looks of things it was a pretty even fight, though the rocket fist did have a little thing called, "strategy," on their side. They set up distracting refrigerators and ice cube trays while one rocket fist sneaked around the back way. The bees did bust out their secret weapon, the dreaded fish hook, but they couldn't catch a thing. I think all the fist were scared, that, and I don't know if rocket fist eat worms. My guess is that they eat rocket fuel, but I'm no scientist.

What surprised me most about this whole thing was that, though the fish were rocket powered, they didn't have laser canons...how's that for intelligent design?

Between all the buzzing and blasting things got pretty loud, but I had my iPod on and was listening to The Cave Singers, so it wasn't all that bad.

Anyway, I made it home safe and ordered some books, one from dancing girl press and the other from Kitchen. I've mentioned them both here before, so I'll leave you the pleasure of researching the archives, or if you can wait, I'll tell you about them when I read them.

Something real that happened: I finally found my copy of Kristy Odelius', "Bee Spit," (which is probably what got me thinking about bees in the first place) and it was alright. I wasn't engaged with it the whole time and found myself rushing through a few poems that didn't grab me right away. I know that William Allegrezza considers her to be one of Chicago's "experimental" poets, which I feel is a load of shit, with all the poetry being written right now, what IS experimental? It's a loose, umbrella term that needs to be carved out of our lexicon. Anyway, her poems are more like meditations on things (images, feelings, situations, etc.) we can only explain as they are, which isn't experimental at all, but in fact, what poetry has been striving towards for centuries.

Odelius has a way of capturing moments and making them as real as possible. Even when her images grasp at things absurd, she's calm and collected about it that you stay right with her. Example:

The Four Horsemen Cave to the Mayor's Demands

Would you rather be beautiful
or cool? it asked, and opened
like a Big Mac waiting for teeth.

The day, the day.

Roof-walking in the late winter,
red sweater against the grey bricks.

The little girl next door
plays in the yard. She's
coughing and trying
to cry, like us.

Tugging our micro-minis, vacuuming
in the glorious room. We know
what we knew. Not what
we used to, what we used.

Our electronic devices assure us
we got the skillz to pay the bills.
We're content to be sad, perched
like a glass bee on the tip
of a federal holiday.

Some days, the stone natatorium
down the street seems to hold all
dreams under slowly draining water.

This was my favorite poem out of the whole collection (hence, I typed it all out for you). The line breaks are genius. Each line can be a whole idea and are often cool individual snapshots. The scene comes across as very Chicago to me, but that's probably because it is, and I love that the Chicago she paints here isn't the standard metropolitan one, but one that chooses to focus on the stacked nature of humans in the city (some are up high, some are down below, but still they are sharing space). What Odelius tickles out here is a universal theme as seen through only her eyes. She doesn't try to alter her perception in order to make it easy on the reader, rather, she states it as if it's something we would have no idea about...and how do explain things to people when you don't think they will understand you? Just like this.

Monday, April 21, 2008

Adam's Clay

I got an e-mail from Adam Clay this weekend and he, "had to cancel [the reading in Chicago}, though I hope to make it there sometime soon-ish."

So do we Adam, so do we...

In other news there is still a reading down here in Hyde Park tomorrow featuring, Charles Blackstone and Cheryl Pallant. Also, Danny's is back this week on Wednesday with a bunch more of the Chicago crowd, Gabriel Gudding, Simone Muench, and Ray Bianchi.

Anyway, back to Adam Clay. I love this guy. His poems remind me of sunrise: always beautiful, best when they're quiet, and surprisingly surprising.

In the poetry spectrum Clay lies somewhere between Wordsworth (imagery, language, purpose?) and some of your more current situational/art poets. I made up the situational/art thing, so don't looking up exactly what that means, rather, just think about it a tad and you'll get what I mean.

The guys got poetry everywhere and a quick search of his name will bring up most of it. In print form he's got a full-length (from Parlor Press) and a chap (from horseless press). With Matt Henriksen he edits the great TYPO online journal, which very kindly rejected me.

I first came across him a few years ago over at the Wave Books site which was (for two issues) publishing an online journal called "The Bedazzler" and my favorite poem of his is still there, that is until right now...when it's also here:

A refusal of night refuses everything once thought

to be revolutionary. True, I can say

the first night of love was all blankets and revolution,


but it had little

to do with the sun

and more to do with coincidental destruction.


I am Rip Van Winkle

without the beard. I am reaching

at airplanes

in the sky

in my sleep every night.

This is the saddest thing I have ever told anyone,

but there is no one here.

Noon

skylines across my vision and the alphabet

is infinite.

The more words I read, the closer each

Atlantic wave comes to take my sickness away.



Saturday, April 19, 2008

Record Store Day!

Please, please, please go to your local mom&pop record store and buy something. It could be the She & Him record. It could be a used Tom Waits record. It could be the Cave Singers, Elvis Costello, anything!

Without your help these record stores will go out of business. I've seen it happen to two, yes, two of my favorite record stores (Streetside Records in Webster Groves and Co-op Records in Cedar Falls). There is honestly nothing more sad than a once bustling records store going out of business. The haggard owner selling things off for whatever you'll give him, record geeks wandering out on the streets, lost and zombie-like, and absolutely no place to find the first Umbrellas record...yikes!

I'm walking down to Hyde Park Records, what are you going to do?

Thursday, April 17, 2008

Self-Mandated Week Off From Writing = Fun With Markers

Vacation PicturesI went to a planet that was like Earth, but strangely, was not Earth. I didn't recognize a single continent! That's me in the space ship...
When I got to the surface I camped out with a giant duck and a four-eyed alien. We sat by the campfire and watched rocket ships take off. Also, the moon looked just like that guy from "Le Voyage dans la lune." That first night was pretty sweet...
The next day I went to the mountains to see the lawn mower. Also, there was a lady swinging from a crescent moon just like in that movie, "Le Voyage dans la lune." I love that movie and was glad to see so much of it on this Earth that wasn't Earth.
I wrapped up my trip by touring the glowing gargoyle garden. There were jumping fish, big waves, fire-powered boxing gloves, Uranus and a weird sun that kept on asking about his scoops. "I don't know nothing about no scoops," I kept yelling. I didn't like that day so much.

Anyway, I hope you enjoyed my trip as much as I did, and as much fun as I had, it's back to grindstone for now...

Adam Clay is reading in Illinois this weekend and into next week, go check him where ever he is, even if that means seeing him a few times. You can check out details here: www.adamclay.org

Still waiting on postcard reviews...any day now would be fine...if you have questions just read the post below this one, or click on the link to the right.

Wednesday, April 09, 2008

Let's do something together...

I want to ask you a favor...but I'm nervous. Here's the deal: I want to share this space with you, I mean, more than we do now. Now, I write and you read, which are actually two entirely separate events and though you could argue that one does not exist without the other, I'm going to tell you that that is bullshit. What I want is for you to send me book reviews (poetry related, of course) that I can post here. But like any good show, here's the twist...I want you to mail them to me on a postcard. Tell US about books that rocked your world or perhaps books whose tour ends here. Tell us why, tell us how, but most importantly tell us on the half of a postcard that is allotted for writing on. What I will then do is scan it in (front & back) and post it up here for the world to see.

You know what I'm reading, now I want to know what you're reading. The purpose of this blog can't ramble on based on my tastes alone. I like swiss cheese. I like KFC biscuits. I like Zach Schomburg. What do you like?

Send your postcards to me, B.J. Love at 5110 South Kenwood Avenue #209, Chicago, IL 60615.

DO IT!

Tuesday, April 08, 2008

The only question is, could I leave HERE and get THERE by 8?

Zach Schomburg is reading his poem, The Pond, this Friday in Iowa City at the Burford Gallery. I've actually been in conversation with a sculptor friend about doing something like this...once again, Schomburg takes a good idea of mine and gives it the glossy brown appearance of been there, done that.

However, this is something I would definitely go to if I wasn't 5 hours away from it. For those who happen to be within 3 the details are thus: Show opens at 7:30, reading follows closely at 8, and you can find all this at 141 North Riverside Drive, 150 Art Building West, Iowa City, IA, or just Google "God's country," and I'm sure it will point you in the right direction...

While you're there, be sure to swing by Prairie Lights Books, THE best bookstore I've ever been to, and I've been to a lot of fucking bookstores. They have a shit-ton of journals upstairs and in the downstairs back right-hand corner is a poetry section without rival...I kid not. Go check it out and you will see why I'm wholly unsatisfied with every other poetry section in every bookstore I've so far been to.

What I've just laid out would be my ideal night...there was a good 5 minute space between this paragraph and the last that I spent dreaming about how awesome it would be...if this doesn't interest you in the least, you should still go for my sake.

Monday, April 07, 2008

Brownies...

Anne made brownies tonight, and I fell asleep on the couch...after I woke up we stood in our too small kitchen, ate them out of the pan and passed a jug of milk back and forth...it was the most romantic date we've had in months.

Saw Joyelle McSweeney & Johannes Göransson read up at Loyola last Thursday. In all honesty, I'm not so into Joyelle. My proof of that is this: I don't remember the poems or stories as much as I remember the voices she used...though I love well-performed readings, occasionally the performance can take over, the reading becomes bigger than the poems.

Johannes was really good. I love listening to non-native speakers use the English language. He made sure to wrap both his teeth and his lips around every word, so much so, that even without much of an accent, his exactness of pronouncement often left me feeling like I had never heard these words before. I am going to buy his books next paycheck (this Friday...don't rob me), they are: Pilot: Johann the Carousel Horse (Fairy Tale Review), A New Quarantine Will Take My Place (Apostrophe Books), and Dear Ra (Starcherone).

I also went back to Cedar Falls and caught Aaron McNally read. He also loves to perform his poetry and though he occasionally startled me, his performance of the poems is much more in line with the singer/songwriter. I really feel for McNally and his having/getting to read these poems. Though his book is really good, the poems in it are all 4-5 years old to McNally, which would personally drive me nuts, so I get his desire to "perform" the poems rather than just give a reading.

I will admit to the unfairness in my critique of McNally/McSweeney. It could be that one is a great friend and the other is someone I'm not all that familiar with. Or it could be that knowing one's poems so well allowed me to enjoy an "interpretation" of them, where the other, whose poems/fiction I was not so familiar with, left me wishing I could just hear the poems for myself.

Anyway, brownies kick ass. Eating brownies with milk also kicks ass. Eating warm brownies with Anne straight from the pan whilst chugging milk from the jug kicks the most ass of all.

You know what else kicks ass? Click on the title of this post and be amazed. Oh, and click here to be equally amazed: http://www.leftfacingbird.com/

Thursday, April 03, 2008

Tuesday, April 01, 2008

So I Hear You Haven't Been Listening...


Awhile ago I begged you to go to Small Fires Press and buy Julia Cohen & Mathias Svalina's "When We Broke the Microscope." Well? Did you do it? Did you go?

Really...

Why not? The poems are awesome. In fact, you really couldn't ask for a better collection of poems...what's that? Oh, it costs 50 bones, eh?

Well, perhaps it would be best for me to take a different angle. Which is why I'm not going to talk about these poems at all, but instead tell you about the greater experience of reading this book.

Books serve functions. They are objects used by us to meet an end. Ultimately, what we hope for when we pick up a book is to entertained. To entertain. To be more entertaining ourselves. It is my belief that Friedrich Kerksieck had all this in mind as he pieced together this fantastic work of art.

To say that this book is a reinvention would demand too much of the thing itself, its creator, and the poems it holds. But what this book does do is twist your expectations....

We're all familiar with picture books. We've had them read to us. We've read them ourselves. We've read them to others. When you imagine a picture book most likely you imagine pictures that physically represent the words on that same page, pictures that work like road signs: though your imagination does do some work, the pictures point you to a specific place. For example, when we see a picture of Scooby-Doo in Shaggy's arms, we might imagine the act leading up to what we see, but rarely do we extend much beyond that.

In this book there are pictures, but they are pictures that do not represent the text, rather they are pictures that move within the text, are influenced by the text. It's easy to imagine each of the images swirling around inside a glass slide, bottom-lit, constantly reminding you of the microscope long after the title has slipped away from you.

What's easy to forget when reading this book is the profound influence that both illustrator Cherie Weaver and editor/publisher/printer Friedrich Kerksieck hold over the whole experience. Yes, the poems are beautiful. Mathias and Julia are two of favorite poets and I have a hard time not finding face-crushing beauty in their singular and collaborative poems. And these poems could have easily carried a lesser made book. But what these pictures do to the poems is add another level of conflict. Where the poems seem to ask the reader to rearrange and re-see the big picture, the illustrations beg us to go back to the poems and take a good look at their atoms, their electrons.

In short, yes, $50 is a lot of money, but you'd spend $50 on great meal without hesitation and you could never go back to that meal and hold it in your hands, appreciate the work that went in to it, glory in its construction and marvel at the genius of total package. There are many easy ways to spend 50 extra dollars, but not too many of those will give you as much joy as this book.